We often find ourselves wanting to compose a piece, but at the beginning we can be a bit at a loss as to what to start with. How does this functionality help?Īs composers, we have some pretty hard deadlines to meet and any help comes in handy as long as it doesn’t rob us of our artistic freedom. The expansive orchestration features are similar to what you achieved with The Orchestra and Mallet Flux. Action Strings 2 is easy to incorporate into your existing templates with libraries from other developers and create a cohesive mix. Because all of the mics can be mixed and balanced by the user this allows for different kinds of spaces to be reproduced. Adding reverb to the spot mic also sounds very cool, immediate yet spatial. In addition to the close mics we also have a spot mic position that you can add to the sound to give a more intimate feel. I know it’s a matter of taste and every composer has their own needs, so with our 4 mic positions we have a mix that will suit almost everyone. My personal favorite position is the Tree mic setup, which has exactly the broad brush sound that I know and love from movie soundtracks. The room we used sounds wonderful and not too reverberant (it was important that the phrases sound defined). We recorded the strings in Budapest because the musicians are insanely good at performing in that style, having that wide Hollywood sound, but still being able to play tightly. It was clear from the start of the project that we wanted to achieve an epic Hollywood scoring timbre. The sound and mixing possibilities have been vastly upgraded, with all new recording sessions and mic positions. So it’s now much easier to create complete action cues using tremolo, staccato, marcato, trills and more. That means you can switch back and forth between phrases and free-playing. Just like the original Action Strings there are 4 phrases on individual keyswitches, but on top of that we also have six different single articulations on additional keyswitches. There are also multi-sampled single articulations too? It’s a fantastic toolbox for any composer. However, you don’t have to rely solely on the themes and presets as it’s easy to create something great yourself. In addition, we’ve purposefully created some more typical compositional building blocks for everyday scoring. Of course, there are lots of presets too and I especially like the chromatic themes. These ‘Live Modules’ can now be mixed completely freely by the user with staccatos or other single articulations so every musician can create their own bespoke phrases. These are the exact type of elements that only sound realistic when performed live and in context. First and foremost, I’m totally blown away by how composers will be able to build their own phrases there’s virtually unlimited flexibility now! We didn’t record 2-bar phrases this time, but a mix of single articulations and live elements like legato motifs, runs and falls. There are so many advances over the first version that it’s difficult to know where to start. For example, the completely new Melody Creator where you can assign a precisely defined melody to a sequence of notes. All of this knowledge has been incorporated into Action Strings 2 in various ways. In fact, The Orchestra was developed with a new type of engine that uses highly intelligent interlocking arpeggiators. We’ve been honing some of these ideas with the scripting of our other instruments: Action Strikes, Emotive Strings, Mallet Flux and The Orchestra. You’ve learnt a lot in the last few years?Ĭertainly. Action Strings 2 is basically a complete reinvention of the original approach, with an innovative workflow and lots of exciting new features. When Kontakt 6 opened up some new possibilities for complex features we knew the time was right to work with Native Instruments and take the sequel to the next level. What inspired you to create Action Strings 2?Īction Strings was a great success and over the past few years the Sonuscore team had lots of ideas about how to improve the concept.
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